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Gravity Falls dialogue patterns of 27 characters REWORKED

I think every character in "Gravity Falls" has a simple abstract speaking pattern
you can formulate those patterns with the help of a few concepts that I hope will be intuitive enough (let's explore this mystery!)
it's totally major spoiler-free
previous attempts: 9 characters, (beware a spoiler character!) Stanley Pines and (SPOILER) speech comparison
I will quote:
  • Dipper, Mabel, Stan, Soos (4)
  • Wendy, Pacifica, Robbie, Gideon, Bill Cipher (9)
  • [SPOILER] (even their name is a spoiler!) (10)
  • Blendin Blandin, Toby Determined, Mr. Poolcheck, Old Man McGucket, Quentin Trembley, Shandra Jimenez, Preston Northwest, Ergman Bratsman (18)
  • Abuelita, Grenda Grendinator, Candy Chiu (21)
  • Deputy Durland, Blubs, Summerween Trickster Masked/Unmasked (Summerween) (25)
  • Dipper's New Voice (Bottomless Pit!) (26)
  • Waddles (Little Gift Shop of Horrors) (27)
Beware: it's a highly speculative idea and I'm just your average Joe. May be total garbage... but it's very important for me anyway, it's not some deliberate joke
The idea is to make some concepts you can apply to speech
Then to apply it on different "levels" of a spoken message
And so you get a description of a "speech pattern"
This is as much as I can explain without jumping straight into Quantum Mechanics. (just kidding!))
Let's go:
on low level Dipper adds (>) information and talks about logically (=) connected bits
on high level Dipper talks about conjugated circumstances
  • Man, that kid's an even bigger fraud than Stan! (=)(<) No wonder our uncle's jealous.
On low level (information): Dipper says "uncle is jealous" and adds "why" & Dipper makes a logical deduction
on high level (situation): Stan is in a conflict with another fraud
  • Alright, enough is enough. (=) If you can't break up with Gideon, I'll do it for you.
on low level (information): Dipper makes a logical/strong conclusion
on high level (situation): Mabel can't break up and Dipper has to help
on low level Mabel adds (>) information and goes (-) from topic to topic
on high level Mabel describes the landscape of the situation and (>) what happens on/included in that landscape + the most important event or fact
  • Oh, leave him alone! (-) You never want to do girly stuff with me; (>) you and Soos get to do boy stuff all the time!
On low level (info): Mabel talks about her experience and adds to that
on high level (situation): Soos and Dipper do boy stuff and often leave Mabel alone
  • It's not a date-date, it's just, you know, (>) I didn't want to hurt his feelings (>)(-) and so I figured I'd throw him a bone.
on low level (info): Mabel says what happened and explains it more + also describes the course of events
on high level (situation): Mabel doesn't want to hurt Gideon and so says "yes" + the fact that "this is NOT a date-date"
on low level Stan talks about tied up (,) and logically connected (=) things
on high level Stan talks about the most important circumstances caused by an event or fact
  • Well, don't get too curiousy. (,)(=) Ever since that monster Gideon rolled into town, I've had nothin' but trouble.
  • Great news, Mabel. (,) You have to marry Gideon!
on low level (info): Stan tells about how "getting curious" tied (,) and logically connected (=) to Gideon and troubles
on high level (situation): Stan describes the main situation caused by Gideon coming to town
A side note (1): concepts I describe intersect very much; for a specific quote you often can make multiple descriptions, but if you consider multiple quotes you can see what description "sticks"/"survives"
on low level Soos adds (>) information or goes (-) from topic to topic
on high level Soos describes the landscape of the situation and (>) what happens on/included in that landscape OR his talk doesn't add up to anything in particular
  • Okay, so I was cleaning up behind this bookcase when boom! Mystery door! (-) This old Shack is full of weird secrets.
  • Waddles, you got it good, bro. (>) You got no worries. (>)(-) I mean, nobody thinks it's cute when I lie naked on the living room floor. (-) I wish I could be a pig.
on low level (info): Soos says two not directly related bits
on high level (situation): Soos desrcibes how in a weird place a mystery door was found
A side note (2): markings (_) are just a tool to help you see the patterns
on low level Wendy says conjugated circumstances
on high level Wendy describes the landscape of the situation
  • Hey, Dipper! We're gonna go sit on the couch! (,) Meet us when you're done.
  • So hey, let's say everyone at this party gets stuck on a desert island. (,) Who do you think the leader would be?
on low level (info): Wendy says you can imagine (A) and think about (B)
on high level (situation): people are on an island and somebody is their leader
on low level Pacifica talks about conjugated (,) and logically (=) connected bits
on high level Pacifica describes the landscape of the situation and the most important fact or event
"most important" means that you can easily chop the speech into pieces without losing context or meaning, every bit is a self-sustained point
"most important" also means that the character cuts out unimportant info as opposed to speaking about everything
  • Great, actually! (,)(=) That's the thing about money! (=) It makes problems go away!
  • Dad, I've been practicing for, like, a million hours, okay? (=) I've got this. (,) You'll stay and watch, right?
on low level (info): Pacifica tells a strong reason why she "got this" and adds that dad should just watch this
on high level (situation): Pacifica describes how she sees the whole situation and the most important thing "I've got this"
on low level Robbie talks about logically/strongly (=) connected or equivalent bits or conditions
on high level Robbie describes conjugated circumstances
  • Ha ha ha ha ha. Laugh it up, chief. So Wendy, Nate and his girlfriend are going to Lookout Point this weekend. (=) Maybe we should go too?
  • Huh, weird, Nate didn't show up. (=) So I- I guess it's just you and me. (=) This isn't what I was planning at all.
on low level (info): Robbie makes a deduction "Nate didn't show up = it's just you & me" and talks about equivalent bits "Nate's not here = not my plan"
on high level (situation): Nate is not here and so Wendy and Robbie are alone
on low level Gideon adds (+) information and new topics into conversation
on high level Gideon recaps the situation or tell the most important fact
  • Mabel, when I'm up here lookin' down on all those little ol' people, I feel like I'm king of all I survey. (+) I guess that makes you my queen!
  • I can't quit it. (+) I am speaking from the heart.
on low level (info): Gideon says he can't quit and adds that he speaks from the heart
on high level (situation): Gideon can't quit it 'cause it's honest - and this is also the most important fact
on low level Bill Cipher says logically (=) connected or equivalent bits and adds (+) information and topics into conversation
on high level Bill describes the landscape of the situation
  • Oh, oh, Gravity Falls! It is good to be back. (+) Name's Bill Cipher, and I take it you're some kind of living ventriloquist dummy? (+)(=) I'm just kidding, I know who you are, Gideon!
  • Hah, fat chance! (=)(+) I'm the master of the mind. (=)(+) I even know what you're thinking right now!
on low level (info): Bills tells equivalent info about mind reading and keeps expanding on kids' failure and his power
on high level (situation): Bills describes different aspects of the situation such as "fat chance" and his skill and their thinking
[SPOILER] tells just the most important fact at the moment... a more complicated description:
(a spoiler link ahead!)
on low level [SPOILER] (don't watch it if you don't want to get spoiled!) goes (-) from a topic to a topic or adds (+) on topics
on high level [SPOILER] describes the landscape of the situation or the most important fact at the moment
  • This is my favorite game in the whole universe! (-)(+) I can't believe they still make it!
  • You don't understand. (-)(+) This is the most powerful monster in the game! (-)(+) He can only be defeated by rolling a perfect 38! (-)(+) But the odds of that are--
on low level (info): [SPOILER] adds on topics about defeating the monster or just goes over different things
on high level (situation): [SPOILER] describes the landscape of the situation with that monster or tells the most important fact "Can we win?"
on low level Blendin Blandin says logically connected bits or conjugated things
on high level Blendin's speech don't add up to anything or he describes a situation based around a fact or an event
  • Blendin Blandin, Time Anomaly Removal Crew year twenty sñeventy-twelve. My mission is to stop a series of time anomalies that are suppose to happen at this very location! (=) But-but I don't see any anomalies! (,)(=) I don't know if it's some kind of paradox, or I'm just really tired...
  • Do you have any idea, how many rules you just broke?! (,)(=) I'm asking; I wasn't there with you... (,)(=) it was probably a lot, right?
on low level (info): Blandin says why he's asking
on high level (situation): Blandin describes a situation caused by broken rules and him not being there
on low level Toby Determined jumps (-) from a topic to a topic and adds (>) information
on high level Toby connected describes conjugated circumstances
  • Boy, your little knees must be sore... (>) from jumping to conclusions. (-) Hachacha! I had nothing to do with that murder.
  • Well tonight's the night, but I've been out here for days! (-) The Northwest family's annual high-society-shindig-ball-soiree is here! (-) And even though common folk aren't let in, (-)(>) that doesn't stop us from camping out for a peek at the fanciness!
on low level (info): Toby jumps between facts about today's night
on high level (situation): soiree is happening and there're people and he himself somewhere around it
on low level Mr. Poolcheck adds (+) information and topics into conversation and says logically (=) connected or equivalent bits
on high level Mr. Poolcheck describes circumstances caused by an event or fact OR shares the most important fact
  • Hmm... SPF 100? (+)(=) Good, I like you. (+)(=) But this isn't an easy job. (+)(=) It's anarchy out there.
  • Can you handle this?! (+) I lost my hand to a pool filter. (+) The pool may seem friendly, but she can turn on you in an instant. (+)(=) Which is why you must respect her rules! (+)(=) Do you think you have what it takes, boy? Do you?!
on low level (info): Mr. Poolcheck piles up info about guarding and the pool and uses logic
on high level (situation): the pool looks friendly but can turn on you in an instant + a hand was lost to that and etc.
on low level Old Man McGucket jumps (-) from a thing to a thing and adds (>) information
on high level McGucket describes the landscape of the situation or the most important fact
  • Well, when you get to be an old fella like me, nobody pays any attention to you anymore. (>) My own son hasn't visited me in months! (-) So I figured maybe I'd catch his fancy with a fifteen ton aquatic robut! (-) In retrospect, it seems a bit contrived. (-) You just don't know the length us old-timers go through for a little quality time with our family.
  • Old Man McGucket, local kook. Are the wax figures alive? (-) And follow up question: can I survive the wax man uprising?
on low level (info): McGucket jumps from a fact about wax figures to their uprising
on high level (situation): McGucket describes different aspects of the situations with the figures
on low level Quentin Trembley jumps from a fact/event to a fact/event
on high level Trembley's speech either doesn't add up to anything or conveys the most important fact
  • Wood! My age-old enemy. (-) In order to get out of here, this is going to take the silliest plan ever conceived.
  • Well, we didn't fit through the hole. (-) Let's rebuild the box and try again!
on low level (info): Trembley jumps from a fail to a new idea
on high level (situation): Trembley either says the most important fact "we didn't fit" or doesn't focus on anything in particular
on low level Shandra Jimenez adds (>) infromation and goes (-) from a thing to a thing
on high level Shandra describes the landscape of the situation OR her words don't add up to anything
  • Shandra Jimenez, a real reporter. Your flyers promised free pizza with admission to this event. (>) Is this true?
  • There you have it. (>) Local hero [A] has just exposed [B] as a fraud. (-) Anything you have to say to the town, [A]?
on low level (info): Shandra explains "you have it" and jumps to a question
on high level (situation): Shandra either explains the situation or doesn't focus on anything in particular
on low level Preston Northwest tells conjugated (,) circumstances and adds (+) information and topics
on high level Preston describes the landscape of the situation or a situation caused by a fact or an event
  • Look at who you're talking to, boy. (,)(+) I'm hosting a party for the most powerful people in the world. (,)(+) You think they'd come here if they had to rub elbows with your kind?
  • Enjoy the party! (,)(+) It's the last time you and your kind will ever come.
on low level (info): tells two things about the party and adds a topic about the party being the last one
on high level (situation): describes the situation - the party - based on a fact - it's the last one
on low level Ergman Bratsman adds (>) information or adds (+) new topics into conversation
on high level Bratsman describes the landscape of the situation and (>) what happens on/included in that landscape OR his talk doesn't add up to anything in particular
  • Every one of you should be ashamed of yourselves! (+)(>) Except you, Leggy P. (+)(>) You were really on point tonight. (+) Here ya go, gorgeous.
  • Augh, my throat is killin' me. (+) Can someone get me a lemon water?
on low level (info): Bratsman specifies the "everyone should be ashamed" bit
on high level (situation): everyone was bad that night but Leggy P. was good
on low level Abuelita jumps (-) from a thing to a thing or adds (+) information and new topics into conversation
on high level Abuelita's speech don't add up to anything or she describes a situation based around a fact or an event
  • This is not good. (-) I cannot feed such a big family.
  • I do not want to pressure you, but you are a man now... in a way. (-)(+) It's time for you to start meeting girls. (-)(+) I would like to see you settled before I ascend to heaven and leave with the angels.
on low level (info): Abuelita tells all her various concerns and thoughts about Soos or just a bunch of things
on high level (situation): Soos became a man and Abuelita wants to have time to see him settled
on low level Grenda Grendinator says logically connected bits or jumps from a thing to a thing
on high level Grenda describes the landscape of the situation or her speech doesn't add up to anything in particular
sometimes her speech looks like this [describing a situation] -> , a "command"
  • What's the dealio, Mabel? (-)(=) That evil producer is gone. (-)(=) We have to tell the boys.
  • Mabel's gone mad with power. (-)(=) Save yourselves, Sev'ral Timez! (-)(=) You were better off with your producer!
on low level (info): Grenda says reasons to save themselves or just a bunch of things
on high level (situation): Grenda describes the landscape of the situation or nothing in particular
on low level Candy Chiu says logically connected bits or conjugated things
on high level Candy describes the landscape of the situation or the most important fact or event
sometimes her speech looks like this [describing a situation] -> , a "command"
Candy is sometimes very-very similar to Grenda
  • We are criminals! (,)(=) We will cut you!
  • Remember, eventually we will have to let them go. (,)(=) We have to promise not to get too attached to them. Right, Mabel? Mabel?
on low level (info): Candy says why they gotta let them go or just a thing - a promise - conjugated with letting them go
on high level (situation): Candy describes the whole situation and the most important thing "we will have to"
on low level Deputy Durland adds (+) on topics or goes (-) from a thing to a thing
on high level Durland describes the landscape of the situation or the most important situation based around a key fact or event
  • Are you okay? (+)(-) Can I get you anything?
  • Guys, do you ever think that maybe we're doin' this 'cause our lives aren't special enough? (+)(-) That we use fantasy as an escape to avoid the self-improvement we all need? (+)(-) That maybe we should just go out and grow as people?
on low level (info): Durland adds topics about activities or just goes over different topics
on high level (situation): Durland describes the landscape of the situation with those role-games and what probably causes it
But unfortunately Fortresses can't speak!
on low level Sheriff Blubs adds (+) on topics or goes (-) from a thing to a thing
on high level Blubs describes the landscape of the situation and (>) what happens on/included in that landscape or conjugated circumstances
  • Deputy Durland, maintaining this cover-up is the mission we've been training for our entire careers. (+)(-) Are you ready?
  • The fool thought he could live forever by encasing himself in a block of solid peanut brittle. (+)(-) Smooth move, Mr. President! (+)(-) Finding Trembley's body was our special mission. (+)(-) And now, thanks to you, it's complete.
on low level (info): Blubs adds on topics about the president or just goes from a thing to a thing
on high level (situation): "smooth move" is included in the context of president's thoughts and "completion" is included in the context of the "mission"... and this completion is conjugated with the kids' help
Also conjugated "Hehe, if being delightful was crime, you'd be breaking the law."
Summerween Trickster (Masked) tells just about the most important situation based around the most important key fact... a more complicated description:
on low level Summerween Trickster (Masked) says logically connected/equivalent (=) bits or conjugated (,) things
on high level Trickster (Masked) talks about events included (>) in a wider context of some situation or about a situation based around a key fact or event
  • SILENCE! You have insulted me! (=) For this you must pay... with your LIVES.
  • There's only one way for you to avoid his fate. (,)(=) I need a treat. (,)(=) If you can collect 500 pieces of candy, and bring it to me before the last jack-o-melon goes out... I will let you live.
  • The choice is yours, children. (,)(=) You must trick-or-treat... Or DIE. Bwahahaha.
on low level (info): Trickster tells the conditions of the situation or conjugated things
on high level (situation): Trickster tells about death included in the context of choice or their mission or explains the situation and the key thing it's based around "do or die"
on low level Summerween Trickster (Unmasked) goes (-) from a thing to a thing or adds (>) information
on high level Trickster (Unmasked) describes the landscape of the situation and (>) what happens on/included in that landscape or conjugated circumstances
  • That's right! Did you ever stop and think about the candy at the bottom of the bag that no one likes? (-)(>) Every year the children of Gravity Falls throw away all of the 'REJECTED' candy into the dump. (-) So I seek revenge; (>) revenge on the picky children who cast me aside. (-) I'm made of every tossed piece of black licorice, every discarded bar of old chocolate with like that white, powder stuff on it. (>) You know that stuff!
  • All I've ever wanted is for someone to say that I was... good. (-)(>) I'm so happy!
on low level (info): Trickster adds "hapiness" to "wanting" or just says two unrelated things
on high level (situation): Trickster describes happiness in the context of a wish or happiness conjugated with a wish
Also conjugated "No one would eat me. But now, I'm going to eat you."
on low level Dipper's New Voice says logically connected/equivalent (=) bits and adds (+) on topics
on high level Dipper's New Voice describes the landscape of the situation or the most important fact
  • Mabel, it's me. (+)(=) This is my voice now. (+) I sound awesome. Soouund aaawesome.
  • What gives, man? (+) You guys all made fun of my old voice. (+)(=) I thought you'd like the new one.
on low level (info): Dipper says why he changed his voice and adds many related topics
on high level (situation): Dipper describes the situation with voices or talks about the most important facts
One more character I could've attempted but didn't: Waddles... although why not?!)
on low level Waddles (Smart Voice - or sorry, just Waddles) says logically connected/equivalent (=) bits and adds (+) on topics
on high level Waddles describes conjugated things or the most important fact
  • I'm sorry, Mabel. (+)(=) There is more to life than making fart noises, and laughing at those fart noises. (+)(=) I see that now.
  • It all makes sense now. (+)(=) What good is helping the world if I can't help my favorite person in the world? (+)(=) It's a good thing I built in a dumb-dumb switch.
on low level (info): Waddles introduces different topics and explains why it makes sen what makes sense and why it's a good thing
on high level (situation): Waddles describes conjugated things (being able to help the world - not being able to help the favorite person; failing to achieve a goal - having a way back) or the most important facts
If some descriptions turned out to be identical -- my bad, I didn't intend that
I believe those patterns are thinking patterns, they tell (in an abstract way) on what a character focuses on
You can view those patterns as different "exposition roles", each character tells you something about some layer of the situation
You also can try to "arrange" those patterns in a single global "spectrum"
(I may be unsure how to order all the elements or "blocks")
  • Toby Determined < Wendy < Soos < Robbie
  • Ergman Bratsman, Deputy Durland, Blubs, Summerween Trickster Unmasked, Mr. Poolcheck
  • Stan, Blendin Blandin, Waddles, Pacifica, Shandra Jimenez, Dipper
  • Preston Northwest
  • Mabel, Summerween Trickster Masked, Old Man McGucket, Bill Cipher, Gideon, Quentin Trembley
  • Candy Chiu, Abuelita, Grenda Grendinator
  • Dipper's New Voice < [SPOILER]
You can also view this as the farther you go the more context-independent or conditions-independent or context self-contained or absent of links to outside factors or ""open"" it gets
If those patterns apply to real people & music bands they are very important
I want to attract attention to those patterns and eventually check if they are real
I worry about my health, I'm going to doctors... currently I'm worried about my eyes
I dedicate my posts to real people, to people I know, to old chess players I know and to my love 18 y/older than me in an oppressed european country
submitted by Smack-works to gravityfalls